"I'm not going to use a microphone that doesn't give me the best quality. I never sacrifice my sound for anyone or anything."
KSM32
"It's been the mic of choice on my last six solo CDs. I get a warm sound and incredible depth. I've tested the KSM32 against some unbelievably expensive mics, and it has given me as good or better sound."
- Bill Evans
An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
More about KSM32
Is the KSM32 a road warrior? FAQs here
KSM109
"For our kind of music, we like to use condenser mics because they sound warmer … and give us great detail."
- Bernie Velutti
The KSM109 offers incredible performance, combining an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. Well suited for acoustic and wind instruments, it is a durable condenser microphone that performs as well in lie applications as it does in the studio.
More about KSM109
Can this mic be used for a didgeridoo?
Beta 98H/C™
"The one thing that has remained unchanged is my wireless microphone and wireless system. It has worked fine in virtually every country in the world over the years."
- Bill Evans
The Beta 98H/C™ and the wireless version that saxman Bill Evans uses (WB98H/C) are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or the rim of percussion instruments.
The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured. An isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise.
More about Beta98H/C
Miking a banjo? Answers to this and other Beta98H/C questions here.